In my time-honored slacker tradition, here is my belated 2006 Top 10 Movies list - in order, no less! Stay tuned for my Top 6 Biggest Disappointments list, my 2007 Top 10 Most Anticipated Movies list, and possibly a 2006 Top 10 Albums.
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10. Crank
     Crank is the movie that Snakes on a Plane could have been. The pitch is almost as pure as SOAP: "Okay, it's like Speed, only it's Jason Statham instead of a bus." And really, what's the difference between Jason Statham and a bus? It redefined "over the top," and surprised and delighted me over and over. Where Snakes on a Plane pushes the boundaries of good taste in a gross-out way, Crank pushes them in more of a moral sense, and I found that much more appealing. I'm starting to wonder if I suffer from ADD just like everyone else, because I loved the ridiculous video-game-esque way this movie was edited. Everything about it was fresh and invigorating.
9. The Science of Sleep
     I'm not sure what pushed this one over Little Miss Sunshine and Thank You For Smoking. I feel an abiding fondness for Michel Gondry - I'm one of about twenty people who've seen Human Nature. In general, I think I just appreciate the strangeness of Michel Gondry more than the solid but not remarkable work in Little Miss Sunshine and Thank You For Smoking. The Science of Sleep captures the feeling of dreams almost as well as Waking Life, but it has more of an emotional connection. It was poignant, and earned extra points for being very reminiscent of Charlie Slick.
8. Brick
     I can't believe this came out in 2006! It seems like forever ago... although I guess we are well into 2007 now, so maybe it was forever ago. If you missed our whole Brick craze, borrow it from someone or rent it. Now. "But don't come CRYIN' to me... if you don't put me in the game!"
7. Stranger Than Fiction
     This one was just really good. Touching and engrossing and satisfying. This is Will Ferrel's Eternal Sunshine, and I guess I don't hate him anymore.
6. Children of Men
     I may not have seen it in 2006, but that's when it came out... barely. This was solid throughout - in my opinion, a much more likely portrayal of the future than something like Minority Report. And then, that long un-cut scene at the end... wow. Check it out.
5. Half Nelson
     This was the quintessential indie drama of the year. So it makes sense that I was tipped off to it by Mr. K. Ken Wilamowski. Look no further than the soundtrack to discover why it's on this list: it was composed almost exclusively of Broken Social Scene songs, and they make an incredible impact.
4. Pan's Labyrinth
     It had the most realistically graphic violence that I've ever seen in a movie (though according to Bobby, I'm a big pussy), but it was still amazing. I was expecting a completely different movie, so it's a testament to how engrossing Pan's Labyrinth is that I enjoyed so much despite my mistaken preconceptions. It was magical and terrifying, and the Spanish language has never seemed so exotic.
3. The Prestige
     Cammila said it best when she gave her one sentence review: "David Bowie as Nikola-fucking-Tesla." The second best comment was from
Tom Brazelton: "I can't look at the movie without thinking that Batman is having some kind of magic contest with Wolverine!" Yes, there were many great actors in it. And a great director. And a great premise, with great writing. Great cinematography, costumes, and sets. And as you might hope, it all adds up to a pretty sweet movie.
2. The Departed
     Holy mother of God, what tight editing! Rarely does editing really jump out at me, but in The Departed, it was almost distractingly brilliant (and, coincidentally, the Academy agrees with me). I don't think I can say anything here that hasn't already been said about it. If you're not super-squeamish about violence, you have no reason not to see this movie.
1. The Fountain
     I'm so sick of reading about how Darren Aronofsky failed at his perceived goal in this film. I couldn't disagree more, but I also don't accept the premise of using such postulation as justification in a review. This goes back to an ancient argument between Cammila and me regarding director's intent (though this argument didn't come up for this film - we both loved it). To summarize: how presumptuous is it to assume that you know exactly what a director intended? If all you have to go on is the piece of art he's just shown you, why not take it at face value? Leave the artist out of it. Let's not get caught up in the tumultuous process it took to bring the film to the screen, or what was cut from the director's original artistic vision. Is a cake any less delicious if you know that it was originally supposed to by twice as large and four times as expensive? For me, the answer is no. Apparently, some people feel differently.
     As far as I'm concerned, The Fountain was a resounding artistic success on every level. It is neither linear, nor literal in any fashion. Like Sofia Coppola's Marie Antoinette, it is an impressionist painting in motion, drawing the mind around in circles. It is a feeling painted with the brush of narrative, delicately suggested across 96 minutes of music, images, and words. An epic visual poem about death and rebirth, immortality, and the insignificant significance of a human life, it is far and away the best film I saw in 2006.
Runners-Up
They didn't make the Top 10, but they are all very much worth seeing.:
Little Miss Sunshine, Thank You For Smoking, A Scanner Darkly, Clerks II, Trust the Man, An Inconvenient Truth, Casino Royale, Marie Antoinette, Keeping Mum, The Illusionist, Scoop, The Queen